Post by SFHoya99 on Jun 6, 2012 14:56:16 GMT -5
I always enjoy the show more on rewatch:
- It took me the second time, but good lord is the show feeding the Jaqen = Syrio fire, aren't they? The expression and way the action says "Being a dancing master is something special" as if he knows... and while they are implying he knows a lot about her he shouldn't with him knowing her list -- name dropping "Goodbye, Arya Stark" at the end was killer, no? I didn't even notice it the first time around because I know she's Arya Stark, but he doesn't, right!
It's always been one of my least favorite theories because it's something that is less there are arguments FOR rather than you simply can't prove it's not true. But this acting seems to be an argument FOR in the show. - Loved the first 2/3rds of the show. Perhaps my favorite episode ever through that point. Theon's story was excellent. If the ending was a copout, so what? The rest was great. People were crying (not me) when Luwin died. All the KL stuff was great, even Ros.
- They changed Shae so very much for the show, and while that changes Tyrion, it's working so well, I don't care. I thought last week the show did a good job of seeding doubt that neither Bronn nor Shae cared for Tyrion more than as a paycheck. I was wrong on Shae.
- Jaime and Brienne, road show two was awesome. Whether it's changes to Tyrion, Robb's arc, or Brienne, HBO and the writers are definitely bringing a modern sensibility to the show. For a lot of hard core fantasy fans who adore when people do stupid for obscure points of honor or distinguish greatly between killing a sixth cousin (kinslaying) and your next door neighbor (okay), this is an issue. Not for me. I like even my fantasy stories to be relatable to me, and stories of men dropping everything for a women (Robb, there's a war) or Brienne going vindicative on rape and murder, that's okay by me.
- I thought that while the whole Jon arc just didn't have the impact the book had, the sword fight was good. Yes, the changes there shot that storyline through with a ton of plotholes (I think, in an attempt to solve another plothole -- Ygritte's support and interest in Jon). And it hurts it. But I like that we don't really know if Jon was angry, defending himself or following orders there -- and likely was all three. He has a profound look of regret on his face after, and you can tell Ygritte is like, dude, you did it, keep up the act. Then we can spoon later. She definitely knows what's up.
- I thought, if you obliterated expectations, the first half of the House of the Undying was great. The vision of the Throne Room, ruined as if from fire, snow falling ... both served as the Warlocks attempt to tell Dany that the Iron Throne itself worth it, Dany asking herself the same thing and lastly, perhaps as prophecy (in more than one way). Then beyond the wall and into her yurt with Drogo and Rhaego -- something to entice her to stay forever in their matrix, happy. But she chooses her dragons and her ambitions.
- This series is going to have to figure out special effects, though. Blackwater was insane. Jaqen's face, the entrance to the HotU, all camera trick stuff is fantastic. The dragons and direwolves look great.
But the WW were middling, and it's obvious that they are avoiding interaction between humans and CGI at all costs (cause it's pricey and time consuming). In the book HotU, Drogo raises up and torches a room of warlocks, flying around. These stayed sedentary and shot flame.
In Jon's scene with the Qhorin, he's losing, until Ghost appears and hamstrings the Half-hand. It's a great touch, and a connection with the Direwolves. You knew it wasn't going to be there.
In the future, the Direwolves are in battle scenes (2 next season), the Dragons grow and do some pretty crazy . It's something that needs to be solved through money or the disappointment is going to be tough to offset.